Favorite Quotes: Christus Victor and the Making New of All Things
He who hung the earth is hanging.
He who fixed the heavens in place has been fixed in place.
He who laid the foundations of the universe has been laid on a tree.
The master has been profaned.
God has been murdered…But He rose up from the dead
and mounted up to the heights of heaven.
When the Lord hath clothed Himself with humanity,
and had suffered for the sake of the sufferer,
and had been bound for the sake of the imprisoned,
and had been judged for the sake of the condemned,
and had been buried for the sake of the one who had been buried,
He rose up from the dead,
and cried with a loud voice,
“Who is it that contends with me?
Let him stand in opposition to me.
I set the condemned man free;
I gave the dead man life;
I raised up one who had been entombed.
Who is my opponent?
I am the Christ
I am the one who destroyed death,
and triumphed over the enemy,
and trampled Hades underfoot,
and bound the strong one,
and carried off humanity
to the heights of heaven.”
“It is I,” says the Christ.
This Easter finds me at the happy convergence of three memorable texts (my life’s story could pretty much be told in terms of what I read). The first is this one, Melito of Sardis’ (ca. A.D. 195) remarkable Easter sermon (I’ve extracted lines from near the end of the sermon) — a text that Bob Webber often extolled for its so-called “Christus Victor” theme.
God is crucified so that humanity can rise, Melito practically sings. This death of God and resurrection of man is the means by which “the One who sits on the throne’ says, ‘I make all things new’” (Revelation 21:5). This “all things” is, well, “all things.” Praise be. Art is new. Science is new. As are gardening, cooking, playing, singing.
It was with Melito’s sermon dancing around in my brain that I serendipitously came upon this thought from sociologist Werner Stark:
The truths of religion can be much more easily and much less inadequately expressed in artistic than in linguistic terms — or better, in the language of art than in the language of science. St. Thomas Aquinas’s hymns are much more convincing, so far as live faith is concerned, than even his best arguments. … Max Weber coined a more remarkable phrase than he knew when he called himself on one occasion “religiously deaf.” But those who can hear will find, for instance, in Anton Bruckner’s Te Deum a statement of faith, which is not only supremely moving but also experientially satisfying and convincing. The rationalistic demotion of art to something ‘merely sentimental’ is not the least disservice which the discursive intellect has done to religion, and, indeed, to all humanity. The fact is and remains that the rationalist as such has no ear for the divine call (Werner Stark, Sociology of Religion, Vol IV [ Routledge & Kegan Paul, 1969], p. 72).
The third text is complement to the second: R.R. Reno’s commendation in First Things (Mar. 27, 2009) of David Hart’s new book Atheist Delusions: The Christian Revolution and Its Fashionable Enemies (Yale, 2009) — a book that is an attempt to get the “religiously deaf” to listen to their own folly. From Reno’s remarks I extract but this thought:
“The revolutions that genuinely alter human reality at the deepest levels,” Hart writes, “are those that first convert the minds and wills, that reshape the imagination and reorient desire, that overthrow tyrannies within the soul.” Christianity caused such a revolution, and it did so, Hart claims, with its fundamental claim about Christ: In him each one of us can join our humble humanity to the glory and holiness of God.
Honor, laud, and glory to our crucified and risen Christus Victor.
And fivefold thanks.
Thanks, first, for the utter graciousness by which Jesus came.
Thanks, second, for the loving faithfulness that brought Jesus back from death to life.
Thanks, third, for the Spirit’s kiss by which I find myself astonishingly not “religiously deaf.”
Thanks, fourth, for the host of gifted saints and fellow-travelers (from all times and all places) who have given us such stunning musical and artistic expressions of the glory of Holy Week’s story.
Thanks, fifth, for the fact that ours is a faith that satisfies the itch to compose hymns and that prompts us to make our best arguments as well.





He who hung the earth is hanging.
I’m grateful to Thomas Howard for Dove Descending, his commentary on T.S. Eliot’s “Four Quartets.” But why must Eliot be so pointedly obtuse as to need line-by-line decoding? (Though I suspect some of my students would think I find in Eliot a kindred spirit.) Having forced my way through “Prufrock” and “Hollow Men” and “Wasteland” last week, I’m ready for some words of redemption. I’m just getting started on “Four Quartets” — I love the notion of there being “a way up that is at one and the same time a way down,” but this poetry is tough going. (I hope I can get some help from Charlie Kidd when he returns from abroad.)
Last week while grading exams (almost done), I listened several times (and am doing so even now) to Richard Strauss’s Alpine Symphony. The Alpine Symphony, a tribute to the philosophy of Friedrich Nietzsche, makes Nietzsche’s atheism (or at least his quest for a “nobler god”) feel so, I dunno, so what? Brave?
Then again, if your best hope is to have your ashes parked on the top of the Himalayas in a Chock Full o’Nuts can (per The Bucket List, which movie Shari sat me down to watch this weekend, and which movie felt to me like an extended commentary on how to make Nietzsche work for you — even if the main characters do make non-Nietzschean moves toward relationships), you move past bravery into, well, again, what?
My head still hurts (that good hurt when your head feels like it’s taken in more than it’s able) from how rich the
Like I said, random thoughts … but, hey, it’s my blog.
Plus, on reflection, it was great to be reminded that, recent setbacks notwithstanding, I am still able to afford a few simple pleasures, like the music of John Tavener and the prose of Wendell Berry. More, paying off reimbursements from preaching and worship leading at Lookout Mtn. Pres. two weekends ago brought refreshing memories of a healing time with old and new friends.
Reliving last weekend’s sword tournament gave me one more opportunity to give thanks that Randy has found something he does remarkably well … as well as one more opportunity to give thanks that, as event registrar, I’m learning to serve outside my area of gifting.
My friend Greg Davis lost his battle with esophageal cancer this week. But he won a more significant campaign. Greg loved Jesus. And Greg lived as though he weren’t just returning to dirt. He lived as though he were destined to become an everlasting splendour.
I’ve known few people as gifted in so many areas — and so unwilling to trumpet his abilities. Raised in Liberia by missionaries from the U.S. (his dad was a bush pilot), Greg responded to God’s call to the nations by equipping himself for ministry and going to Ireland as a missionary. When his marriage fell apart and he found himself a single dad, he took up counseling. His pastoring was characterized by an unusual capacity to care for the discarded and ignored — thus, I think, our mutual love for French artist Georges Rouault.
Along the way Greg found he had a knack for photography and for wordsmithing — so he published a book of his photos and poems, Windows of the Heart: Poetry & Photographs (Writers Press, 2002). Because nobody else around him seemed to understand how to make their computers work, he learned “information technology” (even figuring how PCs work — to Greg, that anybody would use anything but a Mac was proof of radical depravity). Though he felt his IT ability was as much a curse as a gift, he gave himself selflessly to helping others use digital technology (“Well, the basic reason your computer’s not working is that it’s not plugged in”).
A couple of months after I started leading worship at Orangewood, I felt it was time to bring a little art into our “sanctinasium” (sanctuary/gymnasium/school auditorium). It’s one thing for reformed people to have a lean aesthetic — but gym aesthetics are beyond lean. I’d say more like off-puttingly utilitarian — without even the hauntingly mysterious potential of catacombs. In support of lyrics that particular Sunday I projected some art I use in classroom teaching, and I did so with a singular set of fears: that the congregation would find the art helpful but me unable to find the time to provide the art from week to week. “Lord, I offer this to you — but if it’s going to be more than a one shot deal, you’re going to have to do something.”
Little in ministry has given me more pleasure over the last four years than brainstorming with a gifted and godly worship team about how readings, segues, songs, prayers, sacraments and sermons can complement each other — and then sitting back to watch Greg create slide backgrounds, videos, poetry, and handouts to make a whole that’s greater than the sum of its parts. See his corpus at
Be still, my soul: the Lord is on your side.
Grace
The Athenians waived their claim in the interest of national survival, knowing that a quarrel about the command would certainly mean the destruction of Greece. They were, indeed, perfectly right; for the evil of internal strife is worse than united war in the same proportion as war itself is worse than peace. It was their realization of the danger attendant upon lack of unity which made them waive their claim, and they continued to do so as long as Greece desperately needed their help. (Herodotus, Histories 8.2)
The point is: Athens “got it,” to quip Herodotus: civil war in the face of an external threat is suicide.
Anybody who has questions about what has been at stake at least since the attempted bombing of the World Trade Center in 1993 and its actual destruction in 2001 would do well to read the Christian sociologist Jacques Ellul’s impassioned and insightful The Betrayal of the West (Seabury Press, 1978), a plea for a defense of what is good in Western civilization. Ellul understands two things many pundits don’t. First, he understands that the contemporary war against the West began before 1993 and that it was launched by voices internal to the West (but that’s not the subject of this posting). Second, he understands that what makes the West worth fighting for is that it itself succumbed to a more lethal attack from the East, an attack that followed Xerxes’ by half a millennium.
According to Ellul, a smaller but deadlier army came against the West when the Apostle Paul, in Turkey at the time, had a nighttime vision of a Greek pleading for him to cross the Aegean Sea and bring the good news of Jesus Christ from Asia to Europe (Ac 16:9-10).
Women, more especially,—in the continually recurring trials of wounded, wasted, wronged, misplaced, or erring and sinful passion,—or with the dreary burden of a heart unyielded, because unvalued and unsought,—came to Hester’s cottage, demanding why they were so wretched, and what the remedy! Hester comforted and counselled them as best she might. She assured them, too, of her firm belief, that, at some brighter period, when the world should have grown ripe for it, in Heaven’s own time, a new truth would be revealed, in order to establish the whole relation between man and woman on a surer ground of mutual happiness. (ch. 24)
“Any song that makes you think you’re born to lose, bound to lose, no good to nobody, songs that run you down or poke fun at you because of your bad luck or hard travelin’, I’m out to fight these songs to my very last breath of air, to my last drop of blood. I’m out to sing the songs that will prove to you that this is your world, no matter what color, what size you are or how you were built.” — Woody Guthrie
I never thought I’d be naming Woody Guthrie my theologian of the week. I never thought that crusty folk singer would put me in mind of the hope Christ came to bring. But today he reminded me of how tired I am of fear-based and hope-bereft theology. Somebody gave Eeyore the microphone, and it’s time to take it away.